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Back to navigation Boutique Modular System for Experimental Synthesis This article was Written By Our Product Research Team Get to know them! Developed in collaboration with Liquid Sky Artistcollective, the Erica Synths Liquid Sky Dada Noise System II is named for the European avant-garde art movement that rejected logic and reason in favor of absurdity, nonsense, and irrationality. Spanning visual and auditory mediums, Dada leaned heavily into collage and helped spawn musique concrete, the progenitor of experimental music. The Erica Synths Liquid Sky Dada Noise System II celebrates Dadaism and musique concrete, yielding a vehicle for sonic expeditions where the journey is the destination. Featuring a curated collection of modules from Erica Synth’s Fusion and Black Series modules, the Dada Noise System II provides basic modular building blocks, including an analog oscillator, a 4-pole lowpass filter, a dual multimode filter, and a quad VCA. Yet, it focuses the lion’s share of skiff-space on modulators, effects, and the innovative Black Joystick 2, which synthesists at Sweetwater attest is sure to prompt eccentric interactions with the system. Discover, explore, and embrace creative serendipity with the Erica Synths Liquid Sky Dada Noise System II! Related Videos: Liquid Sky Dada Noise System II Eurorack Modular Synthesizer NOW PLAYING: Intro to Eurorack Synthesizers with Daniel Fisher Modular Synthesis ? Where to Start? - Daniel Fisher Voltage-controlled Oscillator Fusion VCO2 The Fusion VCO2 leans into its tube-overdrive circuit to emit crunchy, obese synth tones. With an ultra-stable AS3340 VCO at its core, the Fusion VCO2 delivers superior tracking over eight octaves, simultaneously outputting square, sawtooth, and triangle waveforms, as well as a transistor-based sub-oscillator. While the Fusion VCO2 is a single oscillator module, it is equipped with two bucket brigade delay lines for fattening up the signal with a pseudo-detuned VCO effect. The Fusion VCO2 also sports CV control inputs for manipulating frequency modulation and pulse-width modulation with an external modulation source, such as the Fusion Modulator. Voltage-controlled Filters Fusion VCF3 The Fusion VCF3 is a 4-pole lowpass VCF that uses a tube and vactrol-based design to deliver lush, buttery filtering. The vacuum tube supplies the module’s voltage and adds a warm, saturated wash to a passing signal. The vactrol-based filter circuit relies on a light-dependent resistor to control the filter cutoff point, which has an inherent lag that yields an organic and musical response, especially when paired with the module’s harmonically rich resonance control. Additionally, the Fusion VCF3 has an ingenious CV record mode for capturing and looping manual CV manipulations, with the ability to multiply and divide the real-time modulations. Black Dual VCF Filtering is arguably the most important aspect of subtractive synthesis ? a powerful method for shaping the timbre of your patches. On top of the Fusion VCF3, the Liquid Sky Dada Noise System II arms you with the Black Dual VCF, which offers two identical multimode filters (highpass, bandpass, and lowpass), built around a highly stable custom VCF chip. Use the filters independently, link them for stereo applications, or chain them in series or parallel for dramatic filter modulations. As a bonus, a 16-band spectrum analyzer spits out real-time visual feedback on what’s happening in the summing output. Envelope Generator and Modulators Fusion Modulator The Fusion Modulator is equipped with two envelope generators, a VCA, sample and hold, and a noise generator for sculpting both audio and CV signals. Instead of sustain and release, the Fusion Modulator has unique on and off controls for setting the envelopes’ hold times, allowing you to craft protracted atmospheric drones and stuttering, percussive bursts. Plus, it operates in both bipolar and unipolar modes. For ultimate modulation mayhem, inject randomness into your patches with sample and hold and noise, and control nearly every parameter via CV. Black Modulator The Black Modulator is the Liquid Sky Dada Noise System II’s ultra-powerful LFO/audio frequency oscillator, Zener-diode noise generator, and sample and hold module. The Black Modulator outputs sine, triangle, and pulse waveforms, alongside white noise, pink noise, and crushed noise (which has a separate control known for cranking up the chaos). The unit also supplies a CV/external audio input and a clock input for controlling the sample and hold circuit. Black Code Source The Black Code Source is a unique and idiosyncratic true stereo digital noise and dual random CV generator that presents complicated calculations of polynomials of various configurations, similar to the technology used for data scrambling and in vintage digital drum machines and arcade game music. Essentially, the Black Code Source behaves like a sample & hold generator that produces long chains of pseudo-random signals that rewind and repeat. Voltage-controlled Amplifier Black Quad VCA The Black Quad VCA is ideally equipped to handle the massive functionality of the Liquid Sky Dada Noise System II. It contains four individual VCAs with four inputs, four outputs, and four CV inputs to connect envelope generators, LFOs, and other modulators to the VCAs’ level controls. The VCA outputs are set up in an automatic output mixing configuration, meaning the output signals sum until the path is interrupted by a patch cable. Then, that output and the previous output (or outputs) sum, leaving the following outputs independent ? a standout feature for building uniquely layered combinations. Tools and Controllers Black VC Clock The Black VC Clock is the beating heart of the Liquid Sky Dada Noise System II. Featuring manually and CV-adjustable BPM, clock division and multiplication, and an external clock input, the Black VC Clock lets you bend time with ease for temporally dynamic performances. Additionally, it grants access to advanced features, such as tap tempo and shuffle and divide, and it boasts a slick 3-digit BPM indicator, which lets you see your tempo at a glance, even in dark environments. Black Joystick 2 The Erica Synths Joystick 2 presents a unique way to interface with your Eurorack rig to craft unconventional modulation patterns. It features eight simultaneous CV outputs (with 90-degree phase-shifted outputs on the Y-axis), two gate outputs, and an engaging joystick controller for manipulating parameters. There are four operation modes to choose from: Joystick; Sinewave LFO/Drone Oscillator; Random LFO/Noise Oscillator; and SNEW (South-North-East-West) Panner. In Joystick mode, ±5V are available to each of the X and Y outputs, and you can capture up to eight seconds of recorded motion for looping modulations. Sinewave LFO/Drone Oscillator and Random LFO/Noise Oscillator modes output low-frequency sinewaves and stepped random voltages, respectively, and offer control via the joystick over both amplitude and frequency. Take advantage of all eight outputs when using these modes to generate brain-bending textures that utilize numerous devices in their Eurorack rigs. Finally, SNEW panner mode excels at controlling several VCA, VCFs, and other modules simultaneously, and also allows for recorded motions ? it’s awesome for adding dynamic variations to repeating sequences! Delay and Spring Reverb Black Stereo Delay The Black Stereo Delay has a brain-boggling delay time range from 3ms, for the shortest of slaps, to 3000ms, for droning, cavernous repeats. Operable in three modes ? digital, tape, or ping-pong ? the Black Stereo can sound warm and vintage or detailed and modern, with stupefying stereo effects that leave you swimming. It allows you to set tempo by tap or clock sync, and it has CV-controllable delay time, blend, and feedback. HOLD mode samples and repeats up to 40 seconds of audio, and you can layer delayed signals on top of each other by pressing the Add button. The Black Stereo Delay also sports a reverse function for bonkers backward effects. Black Spring Reverb In the design of this 12HP Eurorack module, Erica Synths takes a decidedly different approach to that of most spring reverberation units we’ve seen. First off, it has onboard vactrol-based compression. Second, although it comes with a compact spring reverberation tank, it can operate an external one ? or a combination of internal and external tanks ? which can produce some unusual effects. Third, the module is equipped with seven built-in DSP effects running in the feedback chain, with which you can create insanely animated reverb modulations. Feedback Send, amount, and Return, as well as effect parameters, can be controlled manually and via CV, making the Erica Synths Black Spring Reverb an experimental instrument in its own right. Mixer and Output Black Output The Black Output module caps off your signal chain with three mono inputs (each with its own pan knob), CV pan on channel 3, a stereo input, master volume, and a dedicated headphone volume. The module provides stereo (left/right) balanced jacks for outputting the signal to a mixing console or recording interface. Erica Synths Dada Noise System II Eurorack Modular Synthesizer Features: Packed with 12 modules from Erica Synths' renowned Black and Fusion lines of Eurorack modules Contains everything you need for next-level synthesis: oscillators, VCFs, modulators, VCA, tools, controllers, and delay Housed in an ultra-durable skiff case Includes universal power supply (PSU) and 25 patch cables |
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