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A Royal Addition to the Electro-Harmonix Family





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A collaboration between Electro-Harmonix, JHS Pedals, and acclaimed artist/illustrator Daniel Danger, the Lizard Queen is a fire-breather of an octave fuzz pedal straight out of EHX’s early ’70s golden age. The Lizard Queen has a fully blendable analog octave-up effect that will take you anywhere from a slight clang to maxed-out, vintage-octave madness. In lieu of a standard tone control, the Lizard Queen’s Balance knob features two distinct sonic voices at each end of the knob’s spectrum, functioning as a hybrid tone/gain control that unlocks myriad hard-clipped sounds to savor. The Lizard Queen pedal features a fixed-level fuzz circuit fine-tuned for maximum wall-of-sound might. For an idea that began life as a vintage-inspired daydream between JHS founder Josh Scott and Daniel Danger, the EHX Lizard Queen is truly a top-class octave fuzz pedal that’s earned its regal reptile status in the Electro-Harmonix pedal pantheon!





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The legend of the Lizard Queen





So, what’s the story behind the Lizard Queen’s JHS-meets EHX collaboration? In 2022, Josh Scott, founder of JHS Pedals and arguably the world’s foremost pedal historian, teamed up with artist Daniel Danger to create a pedal-themed love letter to Electro-Harmonix. Their idea was to design a “lost EHX pedal” that retained all the brand’s ’70s-era hallmarks, then build that pedal exactly how the company would have built it back in the day, right down to the mail-order font and screen-printed logo. At the end of the video dedicated to the pedal’s story, Josh and Daniel jokingly muse about how cool it would be if their creation wound up becoming a real Electro-Harmonix pedal one day. Mike Matthews, the ever-benevolent founder of Electro-Harmonix, has answered their call: Josh and Daniel’s vintage-inspired, reptile-themed pedal is now a full-fledged Electro-Harmonix creation!





All-analog octave-up control





Unlike the simple on/off switch found on most vintage-style octave-fuzz pedals, the Lizard Queen’s analog octave-up knob allows for a far greater range of fuzzy experimentation. From standard no-octave fuzz carnage to all-out analog octave madness, the Lizard Queen’s Octave knob adds a serious dose of vintage-inspired vibe to your every note.





Unique fixed-gain fuzz design





Die-hard fuzz fans are sure to notice that while the Lizard Queen boasts a full knob dedicated to the octave effect, the pedal comes equipped with the iconic 3-knob control scheme. Instead of the gain-controlling “Sustain” knob found on some fuzzes, the Lizard Queen’s fuzz is set to a fixed level ? the crushed and clipped wall-of-sound fuzz. And while it may be non-adjustable, Sweetwater guitarists found the Lizard Queen’s gain, feel, and response to be highly reactive regarding how you configure the pedal’s other two controls, in addition to your guitar’s volume knob.





Balance your tone between Sun and Shadow





No mere tone knob, Josh Scott describes the Lizard Queen’s Balance knob as “not a tone control, but it affects the tone; not a gain control, but it affects the gain.” The knob’s two poles, “Shadow” and “Sun,” radically alter the Lizard Queen’s demeanor from a smooth-yet-heavy wallop to a searing treble-heavy bite. It offers a near-endless assortment of sounds to shift between, but that’s only half the fun ? blending in the Lizard Queen’s Octave signal drastically changes the character of the Balance control, especially on the control’s highest settings.





Electro-Harmonix JHS Pedals Lizard Queen Features:


Designed by Josh Scott of JHS and artist Daniel Danger; produced by stompbox legends Electro-Harmonix


Aesthetics inspired by Electro-Harmonix’s early ’70s heyday


Fixed-level fuzz circuit


Analog octave-up knob allows you to blend in everything from all-out octave madness to no octave at all


Unique Balance knob sweeps between 2 distinct tonal voices: the smooth Shadow and the aggressive Sun


Nano-sized enclosure saves space on a busy pedalboard


True bypass design keeps your tone clean when the pedal is disengaged